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G-BOX Group

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55 Days At Peking English Version [1963 Film]

This is one of many paintings he did on location in Spain in 1963 during filming of 55 Days at Peking. They were done to help promote the film. Aside from the actual title paintings this is the grandest painting he did for this project.

55 Days At Peking English Version [1963 Film]

In 1963 Wildenstein Gallery, New York, did a special exhibition of Kingman paintings from 55 Days at Peking. The photo is Kingman with the famous producer Samuel Bronston and the producer of the film 55 Days at Peking. The Photo was taken at the Wildenstein show 1963. Kingman and Bronston became good friends.

The story takes place during the Boxer Rebellion, or Yihetuan Movement was an anti-imperialist, anti-colonial, and anti-Christian uprising that took place in China between 1899 and 1901, toward the end of the Qing dynasty, which shook China at the turn of the twentieth century. Angry about foreign powers, imperialist land grabs, and Christian evangelists posing threats to traditional Chinese culture, the ultraconservative Boxers persuaded the ruling Qing Dynasty to drive out the countries responsible for these influences. In the year 1900 a multitude of Boxers swarmed into Peking, as Beijing was then known by Westerners, and drove the foreigners and Chinese Christians living there into a single small area, aided by an influx of government troops. The besieged diplomats, soldiers, and citizens held off their attackers for fifty-five days, until fighters sent by an alliance of eight nations came to the rescue arriving in the nick of time like cavalries in an old-fashioned western, according to the film's version of these harrowing events.

Imperialism is hard to stomach these days but at the start of the twentieth century it was rampant and as shown in this picture not just restricted to the main culprit, the British. China was Imperialism Central, round about a dozen nations including the USA and Russia claiming control of sections of the country or its produce. So they had all set up diplomatic shop in Peking. And the film begins with an early morning roll call of national anthems before this domination by outside interests in shattered by rebellion.

Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the RiverKwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director).

  • Series I Cataloged Correspondence

  • Series II Organizations

  • Subseries II.1 Chinese National Association of Mass Education Movement

  • Subseries II.2 College of Rural Reconstruction

  • Subseries II.3 American Cooperating Committee

  • Subseries II.4 American Chinese Committee of Mass Education Movement, 1944-1969

  • Subseries II.5 ICEM/IMEM/JYRRM

  • Series III Arranged Correspondence

  • Subseries III.1 Yen with MEM, 1844-1950

  • Subseries III.2 Yen with MEM/CRR, 1948-1952

  • Subseries III.3 Yen with Trustees

  • Subseries III.4 Yen Correspondence, 1940-1982

  • Subseries III.5 Yen Re. JCRR & Philippines

  • Arranged Correspondence

  • Series IV Publications

  • Series V Proposed Philippines Three-Year Plan

  • Series VI Correspondence

  • Subseries VI.1 Y. C. James Yen Correspondence with Executive Directors of PRRM

  • Subseries VI.2 Y. C. James Yen Correspondence with U.S. Office-Ms. Ching-Yi Tang (CYT) and Mrs. Ping-Sheng Yen Chin (PYC)-1946-1970

  • Subseries VI.3 Y. C. James Yen and Yen, Alice Huie (Mrs. Y. C. James) Correspondence with U.S. Office

  • Subseries VI.4 Y.C. James Yen Correspondence with Juan M. Flavier

  • Subseries VI.5 Dr. Flavier's Trip Reports

  • Subseries VI.6 Y. C. James Yen Correspondence with Filipino Staff of PRRM/IMEM/IIRR-1954-1989

  • Subseries VI.7 Y. C. James Yen Correspondence with Non-Filipino Staff Of IIRR-1963-1988

  • Series VII Y. C. James Yen's Speeches

  • Series VIII Y. C. James Yen's Lectures

  • Series IX Y. C. James Yen's Notes on Meetings

  • Subseries IX.1 U.S., China, & the Philippines, 1944-1960

  • Subseries IX.2 U.S.A., 1950s-1960s

  • Subseries IX.3 Various People

  • Subseries IX.4 Notes and Ideas

  • Subseries IX.5 Books with Dr. Yen's Personal Notations

  • Subseries IX.6 On Proposed People's Film, People's Press, International University, 1940-1950

  • Series X Appointment Books & Notebooks, 1949-1990

  • Series XI Travels

  • Series XII Y.C. James Yen, Personal and Career

  • Subseries XII.1 Personal

  • Subseries XII.2 Awards & Biography

  • Subseries XII.3 Criticism

  • Subseries XII.4 Yen's Birthdays

  • Subseries XII.5 Death

  • Subseries XII.6 Museums

  • Subseries XII.7 Yen's 100th Birthday

  • Subseries XII.8 Fellowships

  • Series XIII Biography & Articles

  • Series XIV CNAMEM Publications, 1930s

  • Series XV IMEM/IIRR Correspondence

  • Series XVI IIRR International

  • Subseries XVI.1 International Exploration

  • Subseries XVI.2 Response to Article on Yen

  • Series XVII IIRR Correspondence with U.S.A.I.D.

  • Series XVIII Assessment of IIRR Program, 1977-1989

  • Series XIX Printed Materials

  • Subseries XIX.1 Brochures

  • Subseries XIX.2 Annual Reports

  • Subseries XIX.3 IIRR Newsletter

  • Subseries XIX.4 IIRR Inauguration & Dedication

  • Printed Materials

  • Books

  • Booklets

  • Series XX Financial Records

  • Series XXI Blueprints of IIRR & PRRM Buildings

  • Series XXII Publications re. MEM In China

  • Series XXIII Blueprints, Maps, Art, Scrapbooks, and Memorabilia

  • Architectural Renderings and Maps

  • Works of Art

  • Scrapbooks

  • Memorabilia

  • Series XXIV: Audio Visual Materials, 1926-2002

  • Subseries XXIV.1: Videocassettes

  • Subseries XXIV.2: Reel to Reel Film

  • Subseries XXIV.3: Reel to Reel Audio

  • Subseries XXIV.4: Vinyl Records

  • Subseries XXIV.5: Audiocassettes

  • Papers related to films

  • Subject Files

  • Donor Research

  • Clippings

  • Country Information

  • Manuscripts

  • Dr. John Kiang Book- Source Material

  • Harry B. Price Interviews

  • China- The Great Wakes

  • UNESCO Feature Service Article

  • Administrative Papers

  • Reports

  • Contracts

  • By Laws

  • Resolutions

  • Certificates

  • Personnel Lists

  • Meeting Minutes

  • Curricula Vitae

  • Press Releases

  • Memos

  • Miscellaneous

  • Photographs

  • Photographs

  • Negatives

  • Contact Sheets

  • Slides

  • Photograph Albums

  • Photograph Album Pages

  • Educational Photo Booklets

  • Archived Web Site, 2013-present



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